Botanical Drawing II delves deeper into the art and science of botanical illustration, offering a further exploration of techniques, materials, and methods used to capture the intricate beauty of plants.
Historical examples will also inform our study. Students will work from preliminary study to finished drawing, using a subject of their choice, focusing on detail, texture and composition. The use of color with various media will also be considered.
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Elizabeth White-Pultz has been an enamelist/metalsmith and member of the 92NY community for over 20 years. Her background in painting and drawing informs her work. She has been included in the Enamelist Society’s Biennial “Alchemy” shows and catalogs, Lark Books’ “500” series, and “The Art of Fine Enameling.” A longtime member of the Enamel Guild Northeast, she has participated in their conferences, workshops, and exhibitions, and served on the Guild’s board. In addition to teaching at the Jewelry Center Elizabeth also leads classes in c ...
Elizabeth White-Pultz has been an enamelist/metalsmith and member of the 92NY community for over 20 years. Her background in painting and drawing informs her work. She has been included in the Enamelist Society’s Biennial “Alchemy” shows and catalogs, Lark Books’ “500” series, and “The Art of Fine Enameling.” A longtime member of the Enamel Guild Northeast, she has participated in their conferences, workshops, and exhibitions, and served on the Guild’s board. In addition to teaching at the Jewelry Center Elizabeth also leads classes in calligraphy and drawing techniques at 92NY. She has also taught at Westchester Community College Center for the Arts. A professional calligrapher with over 30 years experience, she received her BFA from Hunter College and holds the Certificate in Botanical Art and Illustration from the New York Botanical Garden.
Botanical Drawing I
Introduction to Enamel and Jewelry
Calligraphy (Beginner)
Multiple Approaches to Enameling (All Levels)
Sketching Nature in Central Park
Botanical Drawing II
Calligraphy II
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