Kirsten Johnson is a cinematographer and director interested in addressing the changing dimensions and urgent ethical challenges of documentary camerawork. Her most recent film, Cameraperson, premiered at Sundance 2016, was shortlisted for an Academy Award, won the National Board of Review “Freedom of Expression” prize, and was awarded three 2017 Cinema Eye Honors, including ‘Outstanding Nonfiction Feature’. Cameraperson was named one of the ‘Top Ten Films of 2016’ by The New York Times and The Washington Post, was the Grand Jury Prize Winner of 9 international festivals, won the ARRI Cinematography Award, and is distributed by The Criterion Collection. Her short, The Above, premiered at the 2015 New York Film Festival and was nominated for the International Documentary Association ‘Best Short Award’ for 2016. Kirsten’s camerawork has appeared in the Academy Award-winning Citizen Four, Cannes Premiere Risk, Academy Award-nominated The Invisible War, Tribeca Documentary Winner, Pray the Devil Back to Hell, Cannes winner Fahrenheit 9/11, and Emmy Award-winning Ladies First. She shared the Sundance 2010 Cinematography Award with Laura Poitras for their work on The Oath. She and Katy Chevigny co-directed the Berlinale premiering Deadline, which won the Thurgood Marshall Award. She teaches “Visual Thinking” in the NYU Graduate Journalism Department. In 2017, she was awarded the Chicken and Egg Breakthrough Filmmaker Award and she is currently a Sundance Art of Nonfiction Fellow. She is a 2017 Guggenheim Fellow and was recently invited to be one of the 4% of ASC members who are women.

David Canfield is a Staff Editor for Entertainment Weekly, where he oversees the magazine’s books section. He has appeared on NPR, SiriusXM, and more as an expert on the publishing industry, and is a National Arts and Entertainment Journalism Award finalist. He lives in Los Angeles with his partner.